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Leon Verschueren
I founded a workshop for the production of organ
parts in Heythuysen (Limburg), where he lived, on 5 May
1891. He had trained in furniture making and organ building,
including a period from 1886 to 1890 with the leading
firm of Maarschalkerweerd in Utrecht, where he specialised
in pipe making. Shortly thereafter he built his first organ. This was a single manual instrument with mechanical action, built in 1896 for the Hervormde Noodkerk in Schagen (Opus 1). Around one century later the organ
was rediscovered in the village church in Oudesluis.
Partly through the influence of the south German builder
Max Bittner, who worked with the firm from 1904 to 1955,
the organ culture of southern Holland was enriched with
late-romantic German principles. An example is the well
preserved Verschueren organ of 1929 in the St Petruskerk
in Gulpen. |
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From the 1920s the four sons of Leon
Verschueren I joined the firm successively, and directed
what had now become a flourishing firm until 1977, when Leon
II (1903-1986) took over.
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Emile
(1909-1985) became head of the Tongeren (Belgium)
branch, established in 1937; it became independent
in 1951 and was in business until 1998. |
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Ton
(1911-1972) supervised the accounts department
and overseas export from 1946. |
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A representative example of this period is the electro-pneumatic
organ installed in the St Nicolaaskerk in Heythuysen in 1939.
If you pay a visit to our workshops you can hear this instrument,
since the church is only 150 metres away.
From 1948 rugwerk departments were built, and in 1953 the
first tracker action organ was made. The number of mechanical
action organs increased considerably in the course of years
as electro-pneumatic action gradually disappeared. Organ design
in the period 1945-1960 continued on the one hand in the unencased
pre-war style, while on the other hand instruments were also
built in cases, sometimes even designed in historical styles.
Fine examples of the work of Verschueren in this period are
the organs in the Heilige Johannes Bosco-kerk in Maastricht
(1967), the Liebfrauenkirche in Krefeld (Germany, 1966) and
the Dutch Reformed church of Klazienaveen (1971).
In the late 1960s a new orientation on historical building
principles emerged in Holland. In this respect restoration
work also provided important impulses for the firm of Verschueren.
Highlights included the restorations of the Le Picard organ
in the St Martinuskerk in Gronsveld and the Robustelly-Smits
organ in the St Lambertuskerk in Helmond, completed in 1974
and 1976 respectively.
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From 1977 the firm has been directed
by the third generation of the Verschueren family, Léon
III, son of Frans Verschueren.
He has sought consistently to adopt historical building
methods, focusing initially on seventeenth- and eighteenth-century
traditions of the Southern Netherlands and Liège,
and after 1980 on more northern styles too and nineteenth-century
models.
Since 1986 Verschueren organs have occupied a prominent
place on the organ maps of countries including Holland,
Belgium, Germany, Finland, Italy, Norway, Austria and
Sweden. The designation 'Purveyor to the Royal Household',
granted by H.M. Queen Beatrix, formed a literal crown
on the firm's centenary celebrations in 1991.
On the 30th of April, 2004, Léon III was knighted by H.M. Queen Beatrix in special recognition of his work as Managing Director of Verschueren Orgelbouw Heythuysen B.V., as well as for his activities concerning the development and conservation of the organ building tradition in the Netherlands.
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a. The firm of Verschueren
makes all components in its own workshops, from the case to
handmade pipework, and every aspect is aimed at a fine tonal
result. Incidentally, when it comes to pipe making Verschueren
has the longest tradition of all Dutch builders.
b. Rather than building
standard instruments, each organ is designed for a specific
location, in terms of both architecture and tonal style.
c. Restoration and reconstruction
projects are undertaken with particular respect for historic
material.
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